THE
END OF CAMELOT, a romance mystery
November
22, 1963, a day that changed America forever. Who killed President Kennedy?
I was six years old when President Kennedy was
assassinated. Everyone who was alive that day knew exactly where they were and
what they were doing when they heard the news. I was in my first grade
classroom. The teacher got a call on the classroom phone and told us ‘the
president was shot.’ A collective gasp went around the room. My grandmother was
a huge JFK assassination buff. She’s the one who got me fascinated with this
tragic event, at the time the biggest mystery since 'who killed the princes in
the Tower?' (I'm a Ricardian; that's for another post). She got me
embroiled right along with her.
She
listened to all the radio talk shows (those who lived in the New York area
might remember Long John Nebel, on WOR, WNBC, and WMCA, all on AM radio (FM was
really 'out there' at that time). She bought whatever books came out over the
years, along with the Warren Commission Report, which I couldn't lift at the
time, it was so heavy. But my interest never waned in the 52 years that
followed.
In
2000, I began the third book of my New York Saga, set in 1963. The heroine is
Vikki McGlory Ward, daughter of Billy McGlory, hero of the second book, BOOTLEG
BROADWAY, set during Prohibition. This was my opportunity to write a novel
showcasing all my current theories, and continue the saga. It took a
minimum of research, since I remember all the 60's brands, (Bosco, Yum Berry,
Mr. Bubble...), the fashions, the songs, and I even included a scene set on
that unforgettable night when the Beatles first appeared on the Ed Sullivan
Show, February 9, 1964.
About THE END OF CAMELOT
The third in the New York Saga, The End of Camelot centers on Billy McGlory’s daughter Vikki,
whose husband is murdered trying to prevent the assassination of John F. Kennedy.
Vikki uses her detective skills to trace the conspiracy, from New York to New
Orleans to Dallas, and at the same time, tricks her husband’s murderer into a
confession. A romance with her bodyguard makes her life complete.
November 22, 1963: The assassination
of a president devastates America. But a phone call brings even more tragic
news to Vikki Ward—her TV reporter husband was found dead in his Dallas hotel
room that morning.
Finding his notes, Vikki realizes
her husband was embroiled in the plot to kill JFK—but his mission was to
prevent it. When the Dallas police rule his death accidental, Vikki vows to
find out who was behind the murders of JFK and her husband. With the help of
her father and godfather, she sets out to uncover the truth.
Aldobrandi Po , the bodyguard hired
to protect Vikki, falls in love with her almost as soon as he sets eyes on her.
But he's engaged to be married, and she’s still mourning her husband. Can they
ever hope to find happiness in the wake of all this tragedy?
An Interview with Vikki McGlory Ward, the heroine of THE END OF CAMELOT
What is your
occupation? Do you enjoy it?
I’m living my dream as a housewife, but I
design costumes for my father’s Broadway musicals. I’m also busy with our two
kids—although Al and I decided we want four, so I’m hoping for twins.
What is your
family like?
A bit crazier than others, mainly because
my father was in the rackets in the 1930s and he’s a composer of Broadway show
tunes. I had an unforgettable childhood. My father took me to every Broadway
musical that came out. We had famous people to the house all the time for
dinner and cocktails, and to me, they were just folks, I didn’t care how famous
they were, or if their albums played in the background. Dad gave me piano
lessons, although it wasn’t my calling the way it was his—I preferred painting,
sewing and designing fashions as a creative outlet. I never knew my mom, she
died tragically and suddenly when I was an infant. But my father’s second wife
Greta treated me like her own daughter. We went everywhere together, museums,
hair salons, shopping, for long strolls through Central Park. But in school
nobody cared whose kid I was. It was a strict Catholic school and I was in a
uniform like everybody else. My family is Roman Catholic and we still have all
the saints’ statues in the hallways and backyards.
What did your
childhood home look like?
A stately Tudor in Bronxville, then a red
brick colonial in Westchester County. My father also brought us to his beach
house on the New Jersey shore, which he bought the year I was born. I don’t
like to go there, though. It’s where my mother overdosed on pain pills and I
don’t want to be reminded of that. She died in the hospital the next day.
Do you have any
hobbies? What do you enjoy doing?
Designing costumes, going for bicycle
rides with my husband and kids. I love to sing opera arias, although I’m not
trained, and I make sure I’m alone when I do it. Fortunately, Al and I share a
lot of interests - opera, painting, fashion—and one that most couples don’t
share—guns. We have contests at the shooting range to see who’s the best shot.
He also likes to hunt, which I don’t. But I’m good at cooking the venison he
brings home.
Who was your first love?
My
first husband Jack Ward. I stayed in D.C. after I graduated Georgetown, still
thinking I wanted a career in politics. I got a job as a political consultant
with a couple of ex-CIA agents.
Jack was a reporter for the Washington
Post. I always enjoyed his articles—they had a clever undertone of
cutting-edge humor. Sometimes he mentioned personal details: his close calls as
a stunt pilot, his solo in a sailboat around Cape Horn, the political and show
business parties he attended…I was hooked. I couldn’t wait for him to reveal
another personal item, like the next installment in a serial. Then he became a
television reporter for NBS. I was in my glory, able to see him every night at
six and eleven. When So Far So Good
came out—that was his memoir—I took the day off from work to read it. I
devoured it, tore out the pictures and taped them to my walls. On television,
he was as commanding and powerful as any president, and that was it—I had to
meet him. So I spent every spare moment in front of NBS Studios waiting for an
‘accidental’ encounter. Finally it happened. First it was eye contact and a
little small talk, ‘I’m your biggest fan,’ that kind of stuff. I had to talk
fast. One day I just blurted out an invitation to my place for dinner. He was
so surprised, he accepted. I had him over the next night, and he fell in love
with my lasagne. I was already in love with him.
What's the most terrible thing that ever
happened to you?
Losing
Jack. He was found dead in the bathtub of his Dallas hotel room the same day
President Kennedy was shot. He wasn’t supposed to be in Dallas. He never took
baths. I immediately knew he’d been murdered. I found his notes and his tapes,
and learned that he was embroiled in the plot to kill JFK—but his mission was
to prevent it. From that horrific day on, I vowed
to find out who was behind the murders of JFK and my husband. Bringing that
bastard to justice became my quest, and once I found him, I knew Jack could
rest.
What was your
dream growing up? Did you achieve that dream? If so, in what ways was it not
what you expected? If you never achieved the dream, why not?
To be a wife and mother, and indulge my
passion for painting, designing costumes and seeing them on the stage. I must
say I am living that dream, despite having lost Jack so tragically. But I know
everything happens for a reason. Al told me many times if he hadn’t met me, he
doesn’t know if he’d be alive today.
Who is your role model?
My stepmother Greta. She rescued my father
when he was still deeply grieving for my mother. She brought him back from the
brink and gave him two beautiful kids.
What is your deepest desire?
To give my kids a normal life, and I hope
they never have to face crime or murder or even greed.
What is your greatest fear?
That some underworld figure will come
after me. It’s an irrational fear, but when you learn your father was a
gangster, and my having met killers such as Jack Ruby and underworld figures on
my quest to find Jack’s killer, that fear never leaves you.
An excerpt from THE END OF CAMELOT
November
22, 1963
Larchmont,
New York
Vikki entered her
foyer and dropped her shopping bags on the floor. As she locked the door and
kicked off her alligator pumps, the phone rang. She answered it in the kitchen,
so she could raid the pastry box while she chatted.
“Vikki, it’s Linc
Benjamin.” His ragged voice came over the line. “I have terrible news. Jack is
dead.”
“What?” She
couldn’t have heard right. “What did you say?”
“Jack was found in
the bathtub of his hotel room this morning—”
She dropped the
phone and slid down against the wall. Her glasses fell off her face. The room
spun. Sunlight glared. She smelled the new coat of wax on the kitchen floor.
“Vikki? Vikki?”
came faintly from the dangling receiver. She crawled over and grasped it. He
would tell her it was a mistake, they had the wrong man, or it was another of
Jack’s practical jokes.
“My Jack?” she
whispered.
“Vikki, I’m so
sorry,” he sobbed.
“Linc—no, please.
Tell me it wasn’t Jack. Are you sure? There must be a mistake. Not Jack.” Her
heart thudded like a hammer. A stabbing pain pierced her chest. She held the
receiver away from her ear.
“Vikki, are you there?” His voice came through
the earpiece. “If you want, I’ll be right over. I can tell you everything when
I get there, or right now, whatever you want.”
“Now!” she
demanded.
“The Dallas police
found him drowned in his hotel bathtub—”
“Dallas? What was
he doing in Dallas? He’s supposed to be in Chicago doing a story on the FBI!”
she screeched, beyond rational thought. No, this had to be a mistake!
“I don’t know,
Vikki. The maid found him. The Dallas police tried to call you all morning, but
you weren’t home, so they called here, at the network. Do you want me to come
over and—”
“Wait!” She
squeezed her eyes shut. “Now—where is he now?”
“Parkland
Hospital. They’re going to bring the bod—er, bring him back to New York after
the autopsy.” His voice broke again. “God, Vikki, I’m so sorry. I feel like I
lost my brother.”
She went blank,
too stunned to think. Her hands shook so much she could hardly hold the phone.
“Vikki, do you
want me to come over—”
“No.” She released
the receiver. It swung away and banged against the wall. She curled up on the
floor as the ticking clock echoed the thudding of her heart.
She wept in
unbearable grief. Shutting her eyes tight, she cradled her head in her arms. A
jumble of thoughts rendered her helpless.
“Please, God,” she
prayed, “Let it be a mistake and Jack will come walking through the door.”
The doorbell rang.
“Jack?” She forced her eyes open.
“Vikki!”
Her head throbbed
with each pound on the door.
“Vikki! Are you
okay? Can you hear me?”
The voice was her
father’s, and as much as she wanted him with her, holding her, rocking her, the
present was too much to bear. She wanted one last visit to the past with Jack,
happy and alive and free from harm.
But the raw truth seared her soul: The past is gone, and so is your beloved
Jack!
Too weak to walk,
she crawled to the door, reached up, and unlocked it.
Her father rushed
in and knelt beside her. “Vikki, honey?”
She collapsed into
his arms, heaving gut-wrenching sobs.
“It’s okay, I’m
here,” he crooned, like he was singing the songs he wrote for her.
“Dad, Jack—” She
couldn’t bring herself to say it yet. The words were too ugly, too real.
“Yeah, I know. He
got shot. When I looked in the sidelight and saw you lying on the floor, I
thought you were hurt.”
She gulped. “I
answered the phone and it was…” That seemed like a hundred years ago already.
He helped her up,
and she forced herself to gulp enough air to stay conscious while he said,
“I’ll turn on the TV and see what the news says about the shooting—”
“No, he wasn’t
shot! They found him in the tub—”
“Vikki, here, let me get you on the couch.
Come on, babe, that’s it.” He helped her off with her coat. “Now, what are you
saying?”
“Dad—Jack…”
“I know.” He
nodded. “JFK was shot in the head. The governor of Texas was shot, too.”
“No. My Jack! They
found him—” Sobs burst from the depths of her soul.
“Huh? What…your
Jack?”
Unable to speak
any further, she nodded.
“Something
happened to him?” He sat her down on the couch.
She drew in a
ragged breath and he grasped her hands.
“Oh, God. Oh,
Jesus Christ, Vikki.” He held her and stroked her hair as she sobbed, her tears
staining his scarf. “Okay, Dad’s here, I’ll stay with you. I’m sorry, I thought
you were talking about President Kennedy. He just got shot.”
“President
Kennedy?” She shook her head in disbelief. “No. Jack’s friend from the network
called, and—” She couldn’t go on.
“Don’t talk. I’ll
get you a brandy or something.” He glanced over at her liquor cabinet.
She didn’t even
want him leaving her for a few seconds. He hung her phone up and it started ringing
instantly. She heard spurts of conversation. His voice sounded like an echo in
a marble tomb. He finally stopped talking and came back with a brandy bottle, a
snifter, and her eyeglasses. “I found your glasses on the floor.” He took her
into his arms and rocked her back and forth. “You’ll be okay, you’re strong,
you’re my girl,” he murmured, and she wished he’d sing to her.
Instead he
explained that President Kennedy had been shot on the motorcade route in
Dallas.
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The End of Camelot
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On this day in 1963, President John F. Kennedy was assassinated in Dallas, TX. But a phone call brings even more tragic news to Vikki Ward in my romance thriller THE END OF CAMELOT — her TV reporter husband Jack, a friend of the president's, was found dead in his Dallas hotel room that morning. Vikki learns Jack was embroiled in the plot to kill JFK—but his mission was to prevent it. When the Dallas police rule Jack's death accidental, Vikki vows to find out who was behind the murders of JFK and her husband.
In print, on Kindle and on audio with the animated Nina Price.
