Showing posts with label Richard III. Show all posts
Showing posts with label Richard III. Show all posts

Thursday, January 20, 2022

Meet My Guest Ian Churchward and Read About His Book, His Medieval Band "The Legendary Ten Seconds" and How They Were Created

I met Ian through the Richard III Society, of which I've been a member for 30 years. Ian is a gifted musician and songwriter who writes lyrics and music in the medieval style but with a folksy touch and even hints of rock. All the songs tell stories about the life of Richard III, as ballads, some lively, some slower. His book, Songs About Richard III - A Richard III Music Project (click on the title to see it on Amazon) ties in with all his songs, explains how he became a loyal Ricardian, and how he formed the band. 

About the Book, in Ian's Words

This is a revised edition of the original book which is about the songs I have written for my Richard III music project. It includes the lyrics for the songs which have been released on the albums which have been recorded as The Legendary Ten Seconds. The songs that I have written and recorded tell the story of the life and times of this King and the book has been written to try to satisfy the demand from people who want to know more about my music.

The introduction for the book has been written by the author Kathy Martin and her books include The Woodville Connection and The Beaulieu Vanishing. My book has been edited with the help of the author Sandra Heath Wilson who has had many novels published since the 1970's. Sandra wrote and read the narratives which accompany the songs for the second album about Richard III by The Legendary Ten Seconds and these narratives are included in my book.

The original version of Songs About Richard III was published in 2016 and this revised edition includes details of the songs which have been recorded up until the end of 2020. It includes information about the Mer de Mort album which was recorded to commemorate the tenth anniversary of the Mortimer History Society. It also includes details about the Torbay Pageant concept albums which was the main focus of The Legendary Ten Seconds throughout 2020.



About Ian

Ian's main hobby is music and he has played guitar in several bands in South Devon. He started recording as the Legendary Ten Seconds when he was the lead guitar player of The Morrisons who were featured on John Peel's radio one show back in 1987. Ian lives with his wife in Torquay, Devon, England and is a keen supporter of his local football club.

How The Band Was Born

The Legendary Ten Seconds started off as the solo music project of Ian Churchward in 2004 during the time when he was the lead guitar player of The Morrisons who were featured on John Peel's Radio One show back in 1987. When Ian started recording as the Legendary Ten Seconds he was also playing guitar for a ceilidh band called Phoenix. In 2013 Lord Zarquon joined Ian's music project and since then the line up has gradually expanded and various guest musicians and vocalists have helped out in the recording studio. These have included the backing vocals of Camilla Joyce and the lead guitar of Rob Bright. The most recent musicians to join the project are Phil Swann and Martyn Hillstead. The sounds of the Mellotron feature quite significantly in the recordings.

Most notably The Legendary Ten Seconds have recorded many critically acclaimed English folk rock albums which chronicle the Wars of the Roses and the life and times of Richard III in England during the late fifteenth century. The albums are available on Amazon and iTunes and the band have donated money to a scoliosis charity from some of the income generated from the sale of their music. The CD versions of the albums are available via the Richard III Society in the UK. In 2018 the band recorded the Mer de Mort album which was commissioned by the Mortimer History Society to commemorate the Society's tenth anniversary. It is a historically accurate album of songs which tells the story of the significantly important Mortimer medieval family from their roots in Normandy prior to the battle of Hastings and into the 15th century. The album includes historical narratives read by the actor John Challis ( Boycie in Only Fools and Horses ) who was the patron of the Mortimer History Society. The Legendary Ten Seconds have also recorded a comedy song about the Mortimers with John Challis speaking as Boycie.

2019 saw the release of four albums, Devon Roses, History Book Part One. Instrumental Legends and Thrilling Blunder Stories. The Devon Roses album features the lead vocals of the lady singers of the Legendary Ten Seconds, Bridgit England, Pippa West, Jules Jones and Ian's wife Elaine.

In February 2020 the History Book Part Two album was completed and this was followed by The Acoustic Almanac, Amazing Songs and the Pageant of Torbay Part One albums. This last album contains songs which explore the rich and varied history of Torbay. For instance The Billy Ruffian is about when Napoleon Bonaparte was held as a prisoner on board HMS Bellerophon while at anchor in Torbay. Additionally a new version of the first Richard III album was released in digital format via Circle of Spears Productions. The new version of the album features fictional narratives written by Sandra Heath Wilson. The narratives are read by Sandra and Ian's wife Elaine, in the form of an exchange of letters between Richard III's mother and his sister Margaret.

2021 has so far produced three new albums by The Legendary Ten Seconds. These are the Pageant of Torbay Part Two, Semi Acoustic Almanac and a concept album of songs about Devon. This latest album is in the format of a Torquay radio show with jingles recorded by the band and introductions by Riviera FM's Peter Cartwright.

The band have performed several concerts for the Richard III Society including one for the USA branch in Denver.

Click Here for the Band's Website

Purchase CDs on the Band's Website


**********************************************

I must say, the CD covers are fabulous frame-worthy works of art. Below are some of the covers:

Artist: George Harman


Artist: Georgie Harman


Artist: Georgie Harman


Artist: Graham Moores




Contact Ian


My Review of The Legendary Ten Seconds for the Ricardian Register (magazine of the American branch)

As a longtime Ricardian, I enjoy music from his era, but The Legendary Ten Seconds, led by balladeer Ian Churchward, who writes the music and lyrics, writes songs of Richard III's life. They each tell a story about different times and events in Richard's life before and during his reign, and the music will transport you right back to medieval times. The accompanying flute, as well as Ian's singing voice, instantly made me think of one of my favorite bands of all time, Jethro Tull, with flute virtuoso Ian Anderson's lively melodies and smooth voice. It's folksy, yet some of the songs have a faster tempo, as the folk-rock of Tull, and you'll find yourself tapping your foot as you listen to the livelier songs. Richard, who appreciated music and was reportedly a great dancer, would have thoroughly enjoyed these songs.

The CD covers are works of art. The CD Loyaulte Me Lie, (Richard's motto "Loyalty Binds Me"), released the year after his remains were discovered under a Leicester car park in 2012, features an image of Richard based on the facial reconstruction that shows us what Richard looked like.

If you're not a Ricardian (yet) you will learn much about Richard from these stories put to beautiful music.

 I just purchased Loyaulte Me Lie from Amazon and will undoubtedly purchase more from this multi-talented group of musicians, who, incidentally, donate profits to a UK scoliosis charity.

 



Monday, October 14, 2019

Meet Award-Winning Historical Novelist Anne Easter Smith & Read About Her New Ricardian Title THIS SON OF YORK


About Anne

My friend and award-winning historical novelist Anne Easter Smith is a native of England, who spent part of her childhood in Egypt. Educated at an English boarding school, she arrived “for a two-year lark” in Manhattan as an executive secretary from Swinging ‘60s London—and never went back there to live. Somehow she wound up as the Features/Arts Editor at a daily newspaper in northern NYS, and went on to publish articles in several national magazines, which gave her the confidence to embark on her first best-selling novel, A Rose for the Crown. Anne’s muse is the recently re-interred King Richard III, whose life and times she has studied for fifty years, which led to a five-book contract about the York family during the Wars of the Roses with Simon & Schuster’s Touchstone Books. The King’s Grace won the Romantic Times Best Historical Biography award in 2009, and Queen By Right was nominated in the same category in 2011. Her latest book of the series is This Son of York, which finally sees Richard as protagonist. Known for her period detail, she has been a regular panelist at the Historical Novel Society Conferences and has taught workshops on researching for historical fiction at the San Miguel de Allende Writers Conference. Anne and her second husband, Scott, live in Newburyport, MA, where Anne is very involved in her other passion—theater.


A Note From Anne

I am delighted Diana has invited me to tell her loyal readers about my new book This Son of York. Diana doesn’t really need to read it as she is as loyal a Richard III fan as I am! But I am grateful to tell you all about my passion! After five books about Richard’s family, This Son of York is the last in the series about the Yorks in the Wars of the Roses, and Richard is finally my protagonist.

“Write what you know” was often advised when I plunged into the murky waters of literary endeavor and found myself floundering about in that terrifying first foray. So I did. 

What I “knew” centered on a king who died 528 years ago on a boggy battlefield outside of Leicester, smack in the middle of England. A history nut from adolescence, I came upon a book in my early twenties by English mystery writer Josephine Tey called Daughter of Time that repudiated everything I had learned at school about one of our “Bad” kings, Richard III. When I had turned the last page, I became a Ricardian fanatic. This Son of York is my homage to Richard and the book I should have written first but was too chicken to get into a man’s head! 

What they didn’t tell me about writing was that, along with your knowledge of a subject, a strong dose of passion would lift your book above the ordinary. I learned this when an editor recognized it in my first novel, A Rose for the Crown. She told me my passion for righting the wrong done to Richard shone through every page. But that was my protagonist Kate Haute’s perspective on him as his mistress, not Richard’s. This Son of York finally puts Richard front and center. 

As well as gaining the writing chops to tackle a man’s perspective, I became inspired to give Richard his due when they discovered his grave under a car park in Leicester in 2012. I was so moved when I stood on that grave (now enshrined in strong plexiglass, I hasten to add!) and a hologram faded in and out showing the position of the skeleton. After all the information gathered from studying those bones, I realized we now need a new look at Richard for the 21st century. And I was the one to tell the story. 

About THIS SON OF YORK


Concluding her best-selling Wars of the Roses series, Anne has made Richard III her protagonist in her latest book This Son of York. The much maligned Richard is brought into new focus following the discovery of his bones under a car park in Leicester in 2013. 

As the fourth son of the duke of York, Richard of Gloucester could not have hoped for much more than the life of a wealthy, but insignificant nobleman. Instead fate took him down a drama-filled, unexpected path to the throne. As York challenged Lancaster for the crown, early tragedies and betrayals, including by his faithless brother George, led the young Richard to count on none but himself. Imbued with the traits of loyalty and duty to family and country, he proved them time and again especially when he reluctantly came to wear the crown. Buoyed by the love of two women, he stayed true to one while cherishing the other, both helping him bear the burden of his scoliosis.

A warrior of renown, a loyal brother, loving husband and father, a king mindful of injustice yet beset by betrayal, and a man convinced his God has forsaken him by burdening him with crippling scoliosis, This Son of York has a compelling tale to tell. With her meticulous attention to detail—and the truth—Easter Smith’s compelling storytelling paints a very different picture of the king Shakespeare reviled as “…thou elvish-marked, abortive, rooting hog.”

Prologue:

The night before a battle affected men in various ways. Some spent it drinking and carousing with the camp followers; some spent it hiding in the woods and nervously emptying their bowels; others passed the time playing dice; others in prayer; and still more, like Richard, in contemplating the insignificance of their earthly lives. “No matter what the priests tell you about each of us being important to God,” Richard had once said to his wife, “How can one life mean any more than another among so many throughout the history of mankind? As an anointed king, I must be more important than the beggar in the street, but in truth, I know I am not. When we die and molder in our graves, who will remember us then, one any more than another?”

“God will,” Anne had said simply, “you must believe He will. And because you are a king, your grave will be marked by a fine tomb announcing to the world who you were.” She had laughed then. “If I am lucky, I will lie with you and be remembered, too.” Dearest Anne, he thought guiltily as he lay on his elaborate camp bed, I must see to it that you are remembered.

The night was warm, and his tent was open to any welcome breeze that might waft by. In the past on the eve of battle, Richard had recited his prayers, had a cup of wine with fellow commanders, and slept well. Tonight, he knew, was different. Tomorrow he must fight for his crown as well as his life. He could not quite believe it had come down to this moment. He had acted honorably all his days, he thought, done his duty to his family, England and, lately reluctantly, to God. 

A remark of the earl of Warwick’s occurred to him: “Scheming is a virtue if kings are to survive.” Is that what I have done—schemed? Nay, it is not, he reassured himself, it is not. The other part of his mentor’s homily had warned: “To be a great leader, you must learn the skills to be flexible in wooing allies to your side.” It was a skill that had come easily to Edward, but Richard’s reticence to trust had not charmed those he should have sought as allies. Was that where he had gone wrong? Instead of winning with words, friendship, and diplomacy, he had tried to buy men’s trust with land and offices. How many of his men understood him, he wondered.

Richard gave up examining his flaws, failures, and missteps, knowing he must concentrate on the morrow. He tried to close his eyes to the pricks of light from the hundreds of campfires and his ears to the drunken shouts, laughter and singing of the soldiers, the stamping and snickering of a thousand horses, and the clinking of the armorers and smiths making last-minute adjustments or repairs to harnesses. Everyone faced death in his own way, and Richard had no illusions that this might not be his time. He had a fifty-fifty chance, he decided, because in the end it would come down to him or Henry. Only one of them would wear the crown after battle, because the other would be dead—either in the field or later by the axe. I would rather die a king on the battlefield than as a traitor on the scaffold. Traitor is what Henry Tudor would deem him, Richard thought. Neither fate appealed, he mused grimly.

Part of him wished the two of them could fight it out alone and let all others return to their homes. He had no doubt he would run the Tudor through. Richard had trained hard since boyhood and fought in many battles to become the experienced soldier he was now; Henry of Richmond, wrongly claiming the crown, would be seeing battle for the first time, and, as Richard had heard, had not enjoyed the rigors of knightly training while languishing at Brittany’s court. Another part of him relished the thought of a glorious military victory and of extinguishing Lancastrian hopes forever.

He was suddenly jolted back to the other time he and Edward believed Lancaster had been vanquished, and, as was their wont, his thoughts returned to King Henry and his untimely demise. Lancastrian Henry VI, son of the great victor of Agincourt and Edward’s predecessor, had played a part in Richard’s life since he’d been in swaddling bands, Richard recalled. He sat up, pushing black thoughts back into hell, and reached for his book of hours—the very one given him as a gift by Henry when Richard was but a lad. How I wish I had listened to your advice, your grace, and never agreed to wear a crown. He groaned. Sweet Jesu, how has it come to this, he asked himself yet again. 

Paging idly through the prayer book, the gold and silver of the illuminations glinting in the candlelight, he indulged in pondering his life and began to wish he could return to the days when the worst of his troubles was being called the runt of York’s litter. It all seemed so long ago…

Purchase THIS SON OF YORK on Amazon (will be released November 10)

Connect with Anne




Thursday, July 12, 2018

My Newest Historical, CROWNED BY LOVE, Book One of the Yorkist Saga, Now on Sale


After Richard III is slain in battle, a beautiful orphan finds true love and her true family, to her relief—and horror.
England, 1471

Beautiful orphaned Denys Woodville is thrust into the center of power politics when her guardian Elizabeth Woodville marries the new king, Edward IV. The Wars of the Roses finally seem to be at an end, with the House of York victorious over the House of Lancaster.


But not everyone rejoices in King Edward's victory. Elizabeth and her Woodville clan have clawed their way to power by switching sides throughout the Wars of the Roses. They are always on the lookout for a chance to advance their ambitions, even at the expense of the king's family and most loyal supporters.


Denys is delighted that the House of York has won, though she detests Elizabeth’s grasping nature. She considers King Edward and his youngest brother Richard, duke of Gloucester, the only real family she ever had. Elizabeth has never given her a hint of who her real parents might have been.


As the walls of the palace start to close in around her, Denys decides to flee the safety of the court in order to seek the truth about her real identity. She longs to find any living family of her own.


Elizabeth marries her off to Valentine Starbury, duke of Norwich, out of spite, but her feelings for him strengthen and bloom into love. He joins her quest to find her family, but with no reliable leads, it becomes hopeless. After King Richard’s devastating death in the Battle of Bosworth, Denys finally reaches her lifelong goal—she finds her family, in a stunning twist of fate.


Scene Three of CROWNED BY LOVE

Denys’s Aunt Elizabeth adopted her, then neglected her to passionately pursue Edward, England’s future king. Edward fell hard, and they married. The new bride had no need of a child, so she sent Denys to Yorkshire, far out of the way.


The childless duke and duchess of Scarborough raised her as the daughter they never had. When the duchess died, the duke sent Denys back to court, unwanted again. Despite having a king and queen for an uncle and aunt, Denys languished, a lost soul. Today, as reunited lovers surrounded her, she stood alone, unwanted. To add to her misery, the knight of her dreams appeared, only to vanish. Such was her life as an outsider.


Her lady-in-waiting entered, curtsied, and held out a folded parchment embossed with the royal seal. "A page delivered this from her highness the queen, my lady."


She dismissed the maid. "It can wait." Probably a summons to one of the queen's silly musicales, an excuse for court ladies to gossip.


Denys put the message out of her mind till that eve as her tiring woman stood behind her brushing her hair. She broke the seal and unfolded it—a summons, all right—but not to a giddy musicale.


It was a summons to a wedding—her own. Her heart took a sickening lurch.


Her intended was Richard, duke of Gloucester, the king's youngest brother, her childhood companion. Queen Elizabeth always married relatives off to the cream of nobility, and Richard was the highest ranking bachelor in the kingdom.


Far from her idea of a husband. A brother, yes. A husband—never!


A fastidious prude, he intended to wed his sweetheart Anne Neville.


Denys and Richard played together as children, and renewed their friendship when she returned to court. They played tennis, chess, cards—but play ended at games. Just the thought of kissing him made her shudder.


Now the queen wanted them wed on Christmas Day.


Seething with fury, she strode to the hearth and flung the parchment into the flames. They licked and charred it beyond recognition. She crawled into bed for a long, hard think.


By the time she fell asleep, she'd already thought of several ways out.


How I ‘Met’ Richard III


Every Ricardian has a story about how they discovered Richard III and became fascinated with him.


I started researching my first historical, THE JEWELS OF WARWICK, centered around Henry VIII and two fictional heroines, in 1990—with no internet (how did I do it?) I have a strong spiritual connection with late medieval England, which is the basis for my enchantment with this place and time. Jewels took 2 years to research and write, with no internet. It came very close to publication with several romance houses, but missed the mark for containing too little romance. 


When I finished JEWELS, I scoured the history books for another legendary figure to write about. While I browsed the Cambridge Library stacks, a book snagged my eye. Lying, not standing, on the wrong shelf was CROWN OF ROSES by Valerie Anand.. It drew me like a magnet. Richard III is a central character in the story, and the author thanks the Richard III Society for helping her. Already hooked on Richard, his tragic death at 32 and his reputation as a usurper and a murderer of his little nephews, I joined this Richard III Society. 


Richard fascinated me. I’d found the subject of my next novel! And it tied in perfectly as a prequel to THE JEWELS OF WARWICK. Titled THY NAME IS LOVE, it made the same rounds of publishers, remaining homeless after several rewrites and seven years.


In 1999 with the Internet making my life so much easier, I queried the many E-publishers that had recently set up shop, and British publisher Domhan Books responded in March with an offer for my two historicals. 


Purchase CROWNED BY LOVE




Friday, May 5, 2017

New Time Travel Novel STRANGE TIMES Continues Richard III's Life in Our Modern Day

My friend and fellow Ricardian author Joan Szechtman has written the 3rd book in her time travel series in which 
Richard III comes to modern times, STRANGE TIMES. I also wrote two time travels involving Richard, one in which he comes to the 21st century. It was very amusing to see that in both our books Richard encounters a few mishaps with modern conveniences. We each wrote those books before we ever met. STRANGE TIMES just went on sale for Amazon Kindle.


Thursday, July 21, 2016

If you could travel to the 15th century what would you do? (in 25 words or less)

I Answered That Question--And Won A Prize!
 
While going through the Ricardian Bulletin, the Richard III Society's British magazine that I get as part of the membership, my eye caught something familiar--my own name! I won the contest they ran in the March issue, with the question, "If you could travel back to the 15th century, what would you do and why?"

The word count was real low--like 25 words--no more than one sentence.

Since time travel is one of my huge interests, having written 2 time travel novels featuring Richard, I couldn't resist including him in my trip back through 5 centuries. So I submitted:

"I would return to April 1485 and send an urgent message to King Richard not to let the Stanleys anywhere near the battlefield in August!"

On August 22, Richard was killed in the Battle of Bosworth, mainly because the two Stanley brothers changed sides at the last minute.

Richard's last words were "Treason! Treason!" Not "A horse, a horse, my kingdom for a horse!" as Shakespeare had him say. But Laurence Olivier did put up a good fight in that final scene, dying on cue to the music.

My prize is free access to "The Everyday Lives of Medieval Folk." offered by Medieval Courses
  Check it out--they have some great courses on there!
 

The Battle of Bosworth, August 22, 1485, where Richard III lost his crown to Henry Tudor--
and his life
 
The Richard III Society has greatly enriched my life and I've met some fascinating people who've become dear friends. Visit the American branch here.  

My time travels featuring Richard are Traveling Light and For Love & Loyalty 
 


Thursday, October 2, 2014

Romantic Time Travel Comedy FOR LOVE AND LOYALTY Now On Sale


 
In this paranormal time travel, the fifteenth‑century English King Edward IV and his younger brothers George and Richard travel to the twenty‑first century in order to try to rewrite history by making a film portraying Richard as he really was, a kind soul and benevolent king. In the course of their adventures, they each fall in love with very different women who reshape all their destinies.
Julianna Hammond, an officer of the Richard III Society and some of her fellow Ricardians take a pilgrimage to the ruins of Middleham Castle for their yearly summon of Richard=s spirit. But this time the mere wisp of a ghost doesn=t appearBit=s Richard in the flesh.
Julianna Hammond, an officer of the Richard III Society and some of her fellow Ricardians take a pilgrimage to the ruins of Middleham Castle for their yearly summon of Richard=s spirit. But this time the mere wisp of a ghost doesn=t appearBit=s Richard in the flesh.
Julianna takes him in and introduces him to the wonders of the modern worldBelectricity, motor vehicles, and in a more unfortunate incidentBjeans with zip-up flies.
During the 1480s, the biggest mystery in English history took place--the disappearance of the Princes, the nephews of King Richard III. Not only has Richard been accused of murdering his nephews, he's been maligned in every way from his politics to his physical appearance. Here was the perfect character to bring to the present, watch his stunned reaction as he reads a biography of himself and learns his fate, and see how he tries to change history.
In time travel, anything goes, and the humor is bawdier than our jaded modern minds can imagine it was in the 15th century. The three brothers Edward, George, and Richard, give the story its edge. The hedonistic skirt-chasing Edward and George play so well off the prim, proper and chivalrous Richard.
In the majority of time-travels, the modern heroine goes back in time, but to have historical figures come to modern times from the past is unique. It also gave me many opportunities for humor, seeing our world through 15th century eyes, in the simplest ways: Richard goes to an open-air market and sees things he's never seen before: bananas, tomatoes, corn on the cob, peanuts. He begins to bite into a banana, and Julianna shows him the correct way: peel and eat it from the top. He takes an ear of corn and proceeds to eat it like the banana, from the top, but she explains that it's eaten sideways. How confusing the modern world really is! Not to mention his first glance at a running computer, connected with the world through the internet.
Eventually, Edward and George find out, through the powers of their local wizard, where Richard has gone, and the wizard sends them both forward to the 21st century to be reunited with their baby brother, who they fear has gotten into all kinds of trouble.
But that=s hardly the case. He=s rewriting a movie script to portray himself as a kind benevolent king rather than Richard Crouchback of Shakespeare lore. He and Julianna have fallen in love, and she realizes Richard is the prince she=s always waited for. It=s hard to keep his identity a secret when she really wants to shout from the rooftops that she=s found her soulmate across five centuries.
Now in the 21st century, Edward and George each fall in love with their soulmates and fate brings them where they belongBEdward to the far future, George remaining in the present.
But Richard brings Julianna back 'home' to live his life differently--and in the future, a student of history opens a textbook to read about Good King Richard, who lowered taxes, built colleges, restructured the court system, and was handsome, charming, selfless, and had two very even, perfectly matched shoulders.
 
An excerpt from FOR LOVE AND LOYALTY
         “Well, you’re certainly a hero,” Julianna lavished well-deserved praise on him. “You’re kind, sensitive, brave, warm and very good looking. Everything a hero should be. But why don’t you think you’re romantic?”

Richard shook his head. “I never brought a lady flowers, I don’t pour honeyed flattery over them like Ned, I don’t recite poetry like George, I don’t cook gourmet cuisine. All I can do is spread bananas on pizza.”

She smiled and sipped at her wine. “It’s romantic if your intentions are sincere. I enjoyed your banana pizza more than any gourmet meal I could get at LaGrenouille.”

“Sincere?” He buffed the Middleham Ring on his shirt. “Mayhap. I don’t put forth any false fronts. Nay, there’s naught false about my front.” He took a quick glance downward. Her eyes couldn’t help but follow.

“That’s my idea of romantic,” she assured him. “Not flowers or poetry or flattery. Just sincerity. That other stuff is just veneer, and it wears quite thin after a while.”

His eyes pinned her and she took another sip to ease the tension. “Simply speak your heart. Share your heart. That’s what romance is all about—to me,” she said softly.

He reached over, took the glass from her hand and placed it on the table in one swift, graceful movement. “Then may we share some tonight?”

The hearth glowed, seductive music floated through the lounge—the  perfect ambiance. But now that the moment was here, the reality of it nudged her in a stern warning:

Don’t.

“Come here, Julianna.” The way he opened his arms to her, she couldn’t refuse. One warm embrace can’t hurt. But once she was in that embrace, and his lips sought hers, it felt as natural as breathing. He kissed her lovingly, gently and thoroughly. Stopping him would be as wrong as telling the sun not to shine.

Her heart beat the same primitive tattoo as the music surrounding them.

When his hand slid to her breast, she knew she had to take charge or nature would. “Richard—” She hadn’t meant sound so whispery, but her voice was nowhere to be found. She cleared her throat. “We can’t get involved. It’ll be too much heartache if something happens and you get sent back.” She wondered how convincing she really sounded, with her fingers still wound through his hair and her body half pressed up against his.

“I’m not going back, Julianna. I’m resigned to my fate. I’m not like Ned, I don’t rake every wench that crosses my path. I keep my desire firmly in check. But right now my desire is about to burn a hole in these thin trousers so I’ll have to go back to wearing that torturous denim castrati garment.”

She let out a deep sigh and tried to calm her breathing. There’d been some pretty heavy breathing till now. “Richard, I’ve been fighting my feelings all along and doing a pretty good job of it so far. Don’t let me weaken. Don’t let me fall in love with you. There’s enough weird stuff going on here already. We’ve got enough to do.”
 “I’ve grown very fond of you, Julianna.” He stroked her cheek. “And I’m still growing.” He relaxed his embrace and brushed her lips with his before sitting back. “However, you must lead and I follow, as this is your domain. I’m also a gentleman. If this were Ned sitting here, you’d have been ravished thrice already, in six different ways, and on your way to fetch him a beer.”
“Doesn’t he take no for an answer?” Her hand still played through his hair.
“He doesn’t even ask.”
“Looks like he doesn’t mind never going back to his own time. After tonight, George might not, either.”
“Well, Ned covered his arse quite well. He informed me he left the kingdom in good hands with no detail unattended to, and George will go anywhere there’s wenches and booze, even if it’s back to the stone age.”
“I wonder if you can go back by sheer force of will. Our minds are so much more powerful than we think.” A jumble of thoughts entered her head and vanished. This wasn’t the time to ponder telekinesis, as he tickled her earlobe and ran his thumb over her bottom lip. All she could do was close her eyes and let the exquisite sensations take over. She instinctively moved closer. Their bodies touched, his skin against hers. One more kiss, just one more of those delicious warm kisses, and I’ll call it a night, she convinced herself. Their lips met.
The door knocker pounded.
 
           Or the paperback
 
Published by The Wild Rose Press
 
 

 
 

Slideshow