FROM HERE TO FOURTEENTH STREET, A New York Romance--Coming Soon for Audio

Book One of the New York Saga

In FROM HERE TO FOURTEENTH STREET it's 1894 on New York's Lower East Side. Irish cop Tom McGlory and Italian immigrant Vita Caputo fall in love despite their different upbringings. They know their love can survive poverty, hatred, and corruption. Can an Italian sweatshop worker and an Irish cop fall in love on Manhattan’s Lower East Side in 1894? 

Vita is based on my great grandmother, Josephine Calabrese, "Josie Red" who left grade school to become a self-made businesswoman and politician, wife and mother. 

Coming soon on audio from The Wild Rose Press, it's for sale on Amazon for Kindle and paperback.

AN EXCERPT:

As Vita gathered her soap and towel, Madame Branchard tapped on her door. "You have a gentleman caller, Vita. A policeman."

"Tom?" His name lingered on her lips as she repeated it. She dropped her things and crossed the room.

"No, hon, not him. Another policeman. Theodore something, I think he said."

No. There can't be anything wrong. "Thanks," she whispered,  nudging Madame Branchard aside. She descended the steps, gripping the banister to support her wobbly legs. Stay calm! she warned herself. But of course it was no use; staying calm just wasn't her nature.

“Theodore something” stood before the closed parlor door. He’s a policeman? Tall and hefty, a bold pink shirt peeking out of a buttoned waistcoat and fitted jacket, he looked way out of place against the dainty patterned wallpaper.

He removed his hat. "Miss Caputo." He strained to keep his voice soft as he held out a piece of paper. “I’m police commissioner Theodore Roosevelt.”

"Yes?" Her voice shook.

"I have a summons for you, Miss Caputo." He held it out to her. But she stood rooted to that spot.

He stepped closer and she took it from him, unfolding it with icy fingers. Why would she be served with a summons? Was someone arresting her now for something she didn't do?

A shot of anger tore through her at this system, at everything she wanted to change. She flipped it open and saw the word "Summons" in fancy script at the top. Her eyes widened with each sentence as she read. “I can’t believe what I’m seeing.”

I hereby order Miss Vita Caputo to enter into holy matrimony with Mr. Thomas McGlory immediately following service of this summons.

HOW FROM HERE TO FOURTEENTH STREET WAS BORN

New York City’s history always fascinated me—how it became the most powerful hub in the world from a sprawling wilderness in exchange for $24 with Native Americans by the Dutch in 1626.

Growing up in Jersey City, I could see the Statue of Liberty from our living room window if I leaned way over (luckily I didn’t lean too far over). As a child model, I spent many an afternoon on job interviews and modeling assignments in the city, and got hooked on Nedick’s, a fast food chain whose orange drinks were every kid’s dream. Even better than the vanilla egg creams. We never drove to the city—we either took the PATH (Port Authority Trans Hudson) train (‘the tube’ in those days) or the bus through the Lincoln Tunnel to the Port Authority Bus Terminal.

My great grandmother, Josephine Calabrese, “Josie Red” to her friends, because of her abundant head of red hair, was way ahead of her time. Born in 1895 (but it could’ve been sooner, as she was known to lie about her age), she left grade school, became a successful businesswoman and a Jersey City committewoman, as well as a wife and mother of four. She owned apartment buildings, parking garages, a summer home, did a bit of Prohibition-era bootlegging, small-time loan-sharking, and paid cash for everything. When I began outlining From Here to Fourteenth Street, I modeled my heroine, Vita Caputo, after her. Although the story is set in New York the year before Grandma was born, I was able to bring Vita to life by calling on the family legends and stories, all word of mouth, for she never kept a journal.

Vita’s hero Tom McGlory isn’t based on any real person, but I did a lot of reading about Metropolitan Policemen and made sure he was the complete opposite! He’s trustworthy and would never take a bribe or graft. I always liked the name McGlory—then, years after the book first came out, I remembered that was the name of my first car mechanic—Ronnie McGlory.

I completed the book in 1995, and my then-publisher, Domhan Books, published it under the title I Love You Because. The Wild Rose Press picked it up after I gave it many revisions and overhauls. My editor Nan Swanson did a fabulous job making the prose sparkle.

CHANGING THE TITLE

When I proposed the story to Wild Rose, I wanted to change the title, since it went through so many revisions. I wanted to express Vita’s desire to escape the Lower East Side and move farther uptown. I considered Crossing 14^th Street, but it sounded too much like Crossing Delancey. After a few more hits and misses, the title hit me—as all really fitting titles do.

A BIT OF BACKGROUND—WHAT WAS 1894 NEW YORK CITY LIKE?

The Metropolitan Police was a hellhole of corruption, and nearly every cop, from the greenest rookie to the Chief himself, was a dynamic part of what made the wheels of this great machine called New York turn. 

The department was in cahoots with the politicians, all the way up to the mayor's office. Whoever wasn't connected enough to become a politician became a cop in this city. They were paid off in pocket-bulging wads of cash to look the other way when it came to building codes, gambling, prostitution, every element it took to keep this machine gleaming and efficient. They oiled the machine and kept it running with split-second precision. The ordinary hardworking, slave-wage earning citizen didn't have a chance around here. Tom McGlory and his father were two of a kind, and two of a sprinkling of cops who were cops for the right reasons. They left him alone because he was a very private person; he didn't have any close friends, he confided in no one. He could've made a pocket full of rocks as a stoolie, more than he could by jumping in the fire with the rest of them, but he couldn't enjoy spending it if he'd made it that way. They knew it and grudgingly respected him for it. He was here for one reason--his family was here. If they went, he went. As long as they needed him, here he was. Da would stop grieving for his wife when he stopped breathing. Since Tom knew he was the greatest gift she gave Da, he would never let his father down.

Scene 3 of My 1894 New York Romance FROM HERE TO FOURTEENTH STREET

For Third Scene Thursday, here’s Scene Three of my 1894 New York romance FROM HERE TO FOURTEENTH STREET, Book One of the New York Saga.

getBook.at/NewYorkSagaBookOne

It's 1894 on New York's Lower East Side. Irish cop Tom McGlory and Italian immigrant Vita Caputo fall in love despite their different upbringings. Vita goes from sweatshop laborer to respected bank clerk to reformer, helping elect a mayor to beat the Tammany machine. While Tom works undercover to help Ted Roosevelt purge police corruption, Vita's father arranges a marriage between her and a man she despises. As Vita and Tom work together against time and prejudice to clear her brother and father of a murder they didn't commit, they know their love can survive poverty, hatred, and corruption. Vita is based on my great grandmother, who left grade school to become a self-made businesswoman and politician, wife and mother.

Scene Three:

Vita hunched over her piecework, imprisoned in the numbing toil. A hairy hand clamped down on her shoulder. She looked up at Mr. Strozzoni, or “Wrench Neck” because of the way he strained his neck—a nervous tic or something. Sweat stained his celluloid collar. “Hey. A copper come lookin’ for you,” he rasped in his cigar-gruffened voice. “He wait for you outside.”
“What copper?”
He yanked her up by the elbow and dragged her to the door like he couldn’t get rid of her fast enough. Twenty rows of eyeballs followed her out of the workroom. She stumbled, dizzy with fright. Oh, no, Butchie got run in again? Her brother couldn’t stay out of trouble.
Wrench Neck shoved her out into the stairwell. “Don’ you come back here no more. You’re a thief. We don’ wan’ no thiefs here.”
Thief? She’d never stolen a spool of thread. Then it hit her—the blouses she’d dropped in the street. Someone must’ve turned them in—but who knew she’d dropped them?
It didn’t matter now. She was out of a job. Still in shock, she couldn’t think straight.
Her shoes clanged down the metal stairs. She went outside and squinted in the sun.
An imposing figure startled her. Those green eyes, it couldn’t be…the cop from this morning.
He stood before her, arms folded across his chest.
She turned, ready to bolt. But a silent command told her to stay put.
“You dropped some blouses on the street this morning.” His voice was gentler than this morning. So he’d found the blouses! “They have the factory label,” he went on. “I described you to the boss man. He told me he’d never seen you. But I could tell he was lying.” His arms unfolded. His posture relaxed. “I had to wait for you. Why are you out before everybody else?”
She stepped back. Her bottom smacked into the brick wall. “Why do you think? He just fired me. But I didn’t take your wallet. A street arab took it.”
He nodded. “I believe you. I’m not accusing you of anything.”
“Then why are you waiting for me?” She tilted her head, really curious now.
“I just wanted to find you.” He took a step forward. “Look, let me help you get another job. I feel responsible—”
She gaped up at him. The sun formed a halo of light about him. His jawline curved nicely, not too square. “No, you done enough already.” She turned away but needed one last glimpse of those green eyes. As she turned, she tripped over her own feet.
He grabbed her arm to steady her. “I’m just clumsy,” she stammered.
“It’s quite all right,” he said.
No one ever said quite, not around here. A smile frolicked on his lips, as if he knew she’d been staring. Crescent laugh lines cut into his cheeks.
“I really want to help you.” His voice softened with apology.
Shaking her head, she started to leave, but he walked beside her. She sneaked sideways glances at him. The planes of his face weren’t weatherbeaten like the railroad yard laborers. Black hair crowned his head in glossy waves. It reminded her of long-ago nights in Italy, the sky bejeweled with stars. A trimmed mustache rimmed his upper lip. Muscles bulged beneath his blue jacket. His graveness seemed to mask some deeper emotion. She sensed sadness in those eyes that held a spark of streetwise spirit.
Neighbors halted in their tracks and stared with narrowed eyes. Vita Caputo in trouble with the law now? She pictured them saying, Eh, the whole tribe’s a bunch of rowdies…over their purple wine tonight, Mott Street buzzing with gossip louder than the organ grinders. Head held high, she matched them cocked brow for cocked brow. But inside she went on praying—I need another job, I need another job!
“Will you tell me your name? Please?” He drew her from her thoughts. A shiver of alarm coursed through her. Should I tell him my real name or give him a fake one?
“It would be an offense to withhold your identity from a policeman.” He ended that with a smile that sent strange tingles through her belly.
“Miss Caputo. Now goodbye.” She didn’t want him calling her Vita.
His lashes blinked like bats’ wings. “Your father wouldn’t be Lorenzo Caputo, would he?”
“What if he is?” she shot back.
“Then your brothers are Bruno and Vincente.”
He knew them, all right, but not as friends, since they were just Larry, Butchie, and Vinny around here. But cops weren’t on her family’s list of friends, either. To them, cops rated lower than parish priests.
“Does that have anything to do with me?” She steadied her voice.
“No, but they’ve been booked for minor offenses before, and assaulting a policeman twice—my cousin Mike McGlory.” The stern tone returned as he swung his nightstick.
“I know what they did, and I ain’t proud of it,” she admitted. “But here I am, obeying the law, and I get kicked outta my job.”
Her family’s offenses ranged from starting a brawl at a cousin’s wedding to robbing geraniums to assaulting a cop. To them, the first two were none of the law’s business. The fight at the wedding was over whose wine was better. The flower-robbing, in Vinny’s eyes, was legit—“God put them here, so why should I pay for ’em?” was his reasoning. Simple Italian logic.
She looked up at the cop, almost hoping she’d trip again so he’d catch her. But he was still the leatherhead who put her out on the streets.
“I’m Tom McGlory, and I want to help you find another job. Where are you headed, Miss Caputo?” His question sounded innocent enough, but his butting in riled her. She took a deep breath to calm down.
She set her eyes straight ahead at the horse and cart parked by the grocer’s. “It’s none a your business where I’m headed,” she snapped. She didn’t trust cops. Maybe he wanted to use her for something. Cops bamboozled immigrants into doing their dirty work. She wasn’t falling for none of his lowdown schemes.
“Since your visit cost me my job, the only place I can go is looking for another one so I can eat tonight.” Why not sling some guilt his way? Maybe, if he was half human, he’d appreciate what she’d just gone through.
“I’m sorry for the trouble all this has caused you.” Again, his tone gentled. “I can talk to your boss. He should take you back. I’ll head back there right this minute and explain that you stopped a robbery and that’s how you dropped the blouses.”
“Don’t do me no favors, Officer.” She held up her hand. “You don’t owe me nothin’.” She glanced around for a clock so she could figure how much money she’d lost already. She wasn’t about to ask him for the time of day. She had to find another job before she lost a whole day’s pay. Forget a kitchen curtain—that got shoved onto the luxury list. They might have to give up eggs and eat stale bread for a while.
“Then may I escort you somewhere?” he pushed on, his voice casual, yet his eyes sparkled.
She knew hers didn’t, so she avoided his stare.
He gave her agita in her stomach. But he seemed so kind. She’d seen strongarms in action, and he wasn’t one of them. Still, she didn’t need his help. “No, I need to get myself into another wage-paying job. Nobody’s paying me to make chit-chat with a cop.” They halted at the corner as a streetcar rumbled past. “But I have one question first.”
“What is it?” His eyes lit up.
“Why would you wanna help me? I ain’t even Irish.”
She didn’t wait for an answer, cause she didn’t care. She just wanted him to think about it. She turned and walked away, hoping to lose him.
She wished she had a pocket full of rocks, to feast on a sausage sandwich and enjoy this rare stint of freedom. But forget it. Leisure—and big lunches—were luxuries she’d have to wait many more years to afford. Now she had to skip lunch until she found a job.
Walking toward the nearest factory, self-scolding comments fell from her lips: “You’re a fool, letting thoughts of this cop amuse you!” This fantasy was no different from her daydreams at the sewing machine to fight the deadening boredom. But at that rattling machine, she made her lofty plans. In her quest to get ahead, she attended neighborhood meetings for tenement reform with her cousin Baldo, the “mayor” of Mott Street. All the streets down here had unofficial mayors, businessmen on the lookout for the neighborhoods. Baldo, a barber, got along great with everybody. He and Vita badgered the ward heeler, the district boss, and sometimes even a sympathetic reporter for decent living conditions. But she had to do more.
She saw how bosses treated her family, how cops and judges took payoffs from politicians and let criminals off, and how slumlords made their tenants live six families to a flat. But hers was one of the blessed families on Mott Street. They had plumbing.
She dashed down Orchard Street, past the crowded tenements where the poorest souls lived. She had to end the dreaming and get back to the heat, the stench, the real world out there. Hunger for food replaced her hunger for reform.
She pushed Officer McGlory out of her thoughts. The face-off with the cop was over. But his presence still sent tingles down her spine.

The Lower East Side Tenement Museum--Once a Tenement Building, Now a Must-Visit

The Lower East Side Tenement Museum at 97 Orchard Street in New York City was once a real tenement. From the time it was built in 1863, 7,000 inhabitants moved in and out of this building. Nearly all were immigrants, poor or working class. Today, each apartment is furnished to represent a different time period. You can step back in time to see how the masses lived, struggling to make ends meet. It's entirely authentic, down to the backyard privies. 

I visited the museum look forward to going back. If you live near or in Manhattan, you can attend the many events they hold there.

I'm on their mailing list, and they just sent me an article about the area's crime in the early 20th century, "Returning to the Scene of the Crime". They mention Luc Sante, who wrote LOW LIFE: LURES AND SNARES OF OLD NEW YORK. I read this for research on my 1894 New York novel FROM HERE TO FOURTEENTH STREET which is Book One of my New York Saga.

LOW LIFE is one of the best books I've ever read.

Manhattan's Lower East Side, Early 20th Century

My Great Grandparents Married 100 Years Ago--My Heroine Vita is Based on Her

My great grandparents, James and Josephine Arnone, were married on December 4, 1915. My New York historical romance, FROM HERE TO FOURTEENTH STREET, has been released with The Wild Rose Press, and my heroine Vita is based on her--a woman way ahead of her time. She left grade school to become a successful real estate investor as she married and raised 4 children.

FROM HERE TO FOURTEENTH STREET is Book One of the New York Saga.

It's 1894 on New York's Lower East Side. Irish cop Tom McGlory and Italian immigrant Vita Caputo fall in love despite their different upbringings. Vita goes from sweatshop laborer to respected bank clerk to reformer, helping elect a mayor to beat the Tammany machine. While Tom works undercover to help Ted Roosevelt purge police corruption, Vita's father arranges a marriage between her and a man she despises. When Tom’s cousin is murdered, Vita’s father and brother languish in jail, charged with the crime. Can Vita and Tom’s love survive poverty, hatred, and corruption?
Excerpt:
On her way up the stairs, she glanced down the hall and noticed the closed parlor door. Maybe one of the other boarders was in there with a beau. She smiled in the dark. Let them enjoy themselves. All the girls here had beaux, and they needed privacy without chaperones breathing down their necks during every stage of courting.
As she gathered her soap and towel, Madame Branchard tapped on her door. “You have a gentleman caller, Vita. A policeman.”
“Tom?” His name lingered on her lips as she repeated it. She dropped her things and crossed the room.
“No, hon, not him. Another policeman. Theodore something, I think he said.”
No. There can’t be anything wrong. “Thanks,” she whispered, gently nudging Madame Branchard aside. She descended the steps, gripping the banister to support her wobbly legs. Stay calm! she warned herself. But of course it was no use; staying calm just wasn’t her nature.
“Theodore something” stood before the closed parlor door. He’s a policeman? Curious, she looked him up and down. Tall and hefty, a bold pink shirt peeking out of a buttoned waistcoat and fitted jacket, he looked way out of place against the dainty patterned wallpaper.
He removed his hat. “Miss Caputo.” He strained to keep his voice soft as he held out a piece of paper.
“Yes?” Her voice shook.
“I’m Theodore Roosevelt. I have a summons for you, Miss Caputo.” He held it out to her. But she stood rooted to that spot.
He stepped closer, and she took it from him, unfolding it with icy fingers. Why would she be served with a summons? Was someone arresting her now for something she didn’t do?
A shot of anger tore through her at this system, at everything she wanted to change. It eclipsed her fear, made her blood boil. She flipped it open and saw the word “Summons” in fancy script at the top. Her eyes widened with each sentence as she read. “I can’t believe what I’m seeing.”